Arvioitu kesto

45 min.

Järjestäjä

Taideyliopiston Sibelius-Akatemia

Katrin Enni’s second doctoral concert.

Hollow Listening is a live sound performance where sculptural objects become musical instruments. On stage are a series of sonic devices developed through Katrin Enni’s artistic research into sonic sculpture, here used as instruments for live sound making.

A lamp responds to hand gestures with sound. A table reacts to touch and the placement of objects. Kinetic devices, activated by small motors, make their inner vibrations audible.

These objects exist somewhere between the technological and the familiar, between the mysterious and the everyday. They function as resonant bodies, shaping subtle and fragile sound worlds through movement, contact, and interaction.

Hollow Listening refers to forms of listening that reach beyond what is immediately visible or tangible. In the performance, some sounds are produced through physical vibration and material contact, while others emerge through digital processes controlled by gesture, touch, and sensors. Much of what shapes the sound takes place inside hidden systems—within code, algorithms, and electronic circuits—remaining unseen but clearly audible. Hollow Listening invites the audience to attend to these inner processes and to experience sound as something that unfolds between body, object, and technology, rather than as a fixed or fully transparent source. 

Changes are possible.

Further information: Janne Ikäheimo, janne.ikaheimo@uniarts.fi