Estimated duration
1 h 30 min.
Organizer
Taideyliopiston Sibelius-Akatemia
Following the precarious sound.
Composer Lauri Supponen ponders the societal functions of music and the relationships that sound have with the experience of oneself and one’s possibilities to have an effect on one’s environment. What is the relationship between precarious sound and precarious labour? The lecture includes examples of Lauri’s music from the last ten years.
Composition, for Lauri Supponen, is an act of dreaming of alternative forms of organisation. Hailing from Brussels and Helsinki, he studied composition at The Royal College of Music in London and Universität der Künste in Berlin, graduating from the Sibelius-Academy in 2016. Lauri’s works have been premiered by leading contemporary music ensembles such as Ensemble Intercontemporain, Ensemble Modern and BBC Singers at festivals around Europe and North America. Supponen’s work happens at the intersection of music, dance, visual art and theatre, nurturing the playfulness and creation that happen in between structures.
Further information: Niilo Tarnanen, niilo.tarnanen@uniarts.fi
Changes are possible.
Lecture Series Music on Our Time
The Lecture Series Music of Our Time is organised by the Composition and Music Theory department of the Sibelius Academy. In the series, leading contemporary professionals present and discuss their work and compositions. Five lectures open to the public are held in the auditorium of the Helsinki Music Centre on Thursdays from 13:15 to 14:45. The language of the lectures is English.
The Thursday afternoon lecture series began already in the 1960s under the name Composition Seminar. At that time, new compositions were publicly presented and often debated in lively and polemical discussions. The name Lecture Series on the Music of Our Time became established in the 1980s.
Over the years, the series has hosted numerous Finnish and international composers, including Aulis Sallinen, Magnus Lindberg, Kaija Saariaho, Kalevi Aho, Jukka Tiensuu, Olli Mustonen and DJ Orkidea. International guests have included, among others, Krzysztof Penderecki (who visited to receive the Sibelius Prize), the American minimalists John Adams and Steve Reich, as well as Chaya Czernowin, Per Nørgård, Louis Andriessen, Mark Andre, Anna Thorvaldsdottir, Phill Niblock, Brett Dean, Sunleif Rasmussen and Tom Johnson.
In addition, many other professionals working in contemporary music and the arts have spoken about their work, including musicians, writers, visual artists, directors and choreographers. Guests have included, for example, the writer Veijo Meri, the neurologist Matti Bergström, the violinist Pekka Kuusisto and docent of Japanese aesthetics Minna Eväsoja.
Over the years, the series has been hosted by professors such as Einojuhani Rautavaara and Paavo Heininen, lecturers Tapani Länsiö, Juhani Nuorvala and Riikka Talvitie, and composer Matthew Whittall. The series is currently coordinated by composer and music theory teacher Niilo Tarnanen.
Welcome to join the discussion on current questions in contemporary music!
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Book tickets for 10–20 or more people is by contacting group sales service by email at ryhmat@musiikkitalo.fi or by telephone on 0600 411 101 (Monday to Friday, 9:00–15:00).
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At Helsinki Music Centre we are proud to be an accessible and welcoming place for everyone. Tactile handrails and signage have been fitted across the building, and there are tactile indicator strips on the floor too to guide partially sighted and blind visitors. Induction loops are always available, and guide or companion dogs are of course permitted within the building.
Concert Hall
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Black Box, Camerata and Sonore
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Unallocated seating
Please choose your seat on the day.
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Cloakroom
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Latecomers
Latecomers will be asked to wait until a suitable break in the performance or admitted after the interval.
Photography
You are not permitted to record concert performances at Helsinki Music Centre. However, you may take photographs before and after the concert and during applause. Individual concert organisers may have their own, more detail guidance regarding recording and photography.
Dress code
We’re happy to say we have no dress code at Helsinki Music Centre, and we positively encourage you to come as you are. However, we would be grateful if you could avoid wearing strong perfume during your visit so that people with asthma and fragrance sensitivity can enjoy our concerts symptom free.
